Dagmara studied painting at the European Fine Art Academy between 1992 and 1997. After graduation, she began her career as an assistant to set designers and as a set decorator. Since 2011, she has been working independently as a set designer, contributing to both Polish and international productions.<\/p>\n
She has collaborated with directors such as Iwo Zaniewski, Maciek Kowalczuk, Bartosz Dombrowski, and \u0141ukasz Zadrzy\u0144ski. Her commercial portfolio includes projects for brands like Nestlé, McDonald’s, Lotto, Orlen, Hochland, Maspex, and Wedel. An intriguing part of her work is designing sets for Qatar TV shows, including Assriya and Cooking Show.<\/p>\n
In 2019, the feature film Fur from Teddy Bear (dir. Kacper Anuszewski, Micha\u0142 Milowicz) premiered, with Dagmara as the second set designer. In 2022, she held the same position on Everyone Knows Better (dir. Micha\u0142 Rogalski).<\/p>\n
As a set decorator, Dagmara has worked on the features (Nie)Znajomi (dir. Tadek \u015aliwa) and 365 Days (dir. Barbara Bia\u0142ow\u0105s, Tomasz Mandes), as well as on the Netflix series Hold Tight (Zachowaj spokój) directed by Micha\u0142 Gazda and Bartosz Konopka.<\/p>\n
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